Fiction

Crime and Punishment

Overview

Raskolnikov commits murder to prove he is above morality, then spirals into guilt, paranoia, and ultimately redemption through suffering and love.

Dostoevsky wrote Crime and Punishment between 1865 and 1866 while under enormous financial pressure from gambling debts. The novel follows Raskolnikov, a poor former student in St Petersburg who murders a pawnbroker as a test of his own theory that extraordinary men are entitled to transgress ordinary morality. The book appeared in serial form in The Russian Messenger and was an immediate sensation.

Key Ideas

The Limits of Rational Ideology

Cold logic cannot override moral instinct.

Guilt and Conscience

The human conscience cannot be silenced.

Redemption Through Suffering

Genuine transformation requires acknowledging wrongdoing.

Who should read this

Readers ready to engage with one of the great novels of the psychological interior. Dostoevsky is closer to a contemporary writer than most of his nineteenth-century peers — his interest in motivation, guilt, and self-deception anticipates twentieth-century psychology. The Pevear and Volokhonsky translation is the one to read if you can.

Who might skip it

Skip if you want tight plotting; Dostoevsky is often melodramatic and always loose-limbed. Skip also if long passages of interior monologue and philosophical dialogue wear you down; Crime and Punishment is full of both, and their weight is the point.

The verdict

The novel that made me serious about fiction. Raskolnikov's psychology is drawn with a specificity that is still shocking, and the Porfiry Petrovich interrogation scenes are among the best-constructed cat-and-mouse sequences in literature. The epilogue divides readers — some find it hard-earned, others tacked-on. Read and decide for yourself.

"Pain and suffering are always inevitable for a large intelligence and a deep heart."

— Fyodor Dostoevsky, Crime and Punishment

If you liked this

The Brothers Karamazov for Dostoevsky's greatest novel. Notes from Underground for his shorter psychological masterpiece.